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Issue 08 08/2009 |
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MR. PIXEL & MRS. GRAIN Was ist besser, analoger Film oder digitale Aufzeichnung? / LIPPELS TRAUM Die VFX-Spezialisten von ARRI Digital sorgen für die märchenhaftesten Momente / CHRISTIAN WIESER Neuer ARRI Visual Effects Supervisor / MARTIN SCHWERTFÜHRER Neuer Leiter des ARRI Kopierwerks / RAINER KLAUSMANN Ein Gespräch mit dem Schweizer Kamera-Star über die Kunst Geschichten zu erzählen / ARRI DI ABTEILUNG Lead Colorists Traudl Nicholson und Rainer Schmidt über die Neustrukturierung / DIE TÜR Im Kinofilm von Regisseur Anno Saul ringt Mads Mikkelsen mit seiner Vergangenheit / HENRI 4 Regisseur Dr. Jo Baier setzt auf die Qualitäten der ARRIFLEX D-21 / DIE FREMDE Regisseurin Feo Aladag realisiert einen Film über die Sehnsucht einer Frau nach Selbstbestimmung / ARRI COMMERCIAL Der kreative Herzschlag für die Welt der Werbung / ARRI SOUND Deutscher Filmpreis / ARRI FILM & TV IN KÖLN Markus Klaff ist Leiter des neuen Standorts |
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Download German (PDF, 4.78MB) |
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Issue 07 12/2008
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Director Marc Forster and DoP Roberto Schaefer on QUANTUM OF SOLACE / 416 and Kylie Minogue / Postproduction on DER BAADER MEINHOF KOMPLEX / D-21 production round-up / DoP Hagen Bogdanski on THE YOUNG VICTORIA / Postproduction on DIE PERLMUTTERFARBE / D-21 and Mscope / Lighting THE DUCHESS / Lighting the MTV Video Music Awards / NINJA ASSASSIN in Berlin / Kia commercial in Dubai / Historic Hovis commercial / Postproduction on THE COUNTESS / Interview with director Julie Delpy / DoP Frank Griebe on THE INTERNATIONAL / Postproduction on AL MAHED / Hi-Motion at the Olympics / New Head of VFX at ARRI / Producing SHARPE’S PERIL / Moments in time: LOUISIANA STORY |
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Issue 6 06/2008
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Director Andrew Adamson and DoP Karl Walter Lindenlaub on PRINCE CASPIAN / Postproduction on ANONYMA – EINE FRAU IN BERLIN / DoP Sean Bobbitt on HUNGER / DoP Jon Joffin on the D-21 and CRUSOE / Interview with DoP Jules van den Steenhoven / Lighting THE OTHER BOLEYN GIRL / ARRI Film & TV recreates the fall of the Berlin Wall / The ARRIFLEX D-21 / DI on CHARLESTON & VENDETTA / Filmquip Media in the UAE / DoP John Pardue on FREQUENTLY ASKED QUESTIONS ABOUT TIME TRAVEL / ARRI TRUE BLUE / ARRI Film & TV: show case / Lighting AMERICAN GLADIATORS / D-21 and Data Mode / Film preservation techniques / ARRIFLEX 416 Plus HS / New Ultra 16 focal lengths / Hi-Motion / Digital grading on Baselight HD / Moments in time: CLOSELY OBSERVED TRAINS |
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Issue 5 10/2007
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DoP Oliver Wood on THE BOURNE ULTIMATUM / ARRI Film & TV create 3D commercial / DoP Roberto Schaefer on THE KITE RUNNER / DoP Peter Suschitzky on EASTERN PROMISES / Behind the scenes of a Mazda commercial / D-20 on TIN MAN / D-20 update / postproduction on SHADOWS / ARRI Australia supply EAST OF EVERYTHING / Director Wayne Wang on A THOUSAND YEARS OF GOOD PRAYERS / D-20 on Sony commercial / DoP Rob Hardy on the 416 and BOY A / Director Sergei Bodrov on MONGOL / COPACABANA combines film and digital technologies / Promising director supported by ARRI / SIDE EFFECT: short film show case / 90 years of ARRI / 25 years of ARRI Film & TV / ARRI Schwarzfilm Berlin upgrades facilities / Moments in time: THE MAN FROM U.N.C.L.E. / Panalight in Romania |
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Issue 04 06/2007
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DoP Baz Irvine on MR BEAN’S HOLIDAY / ARRI Film & TV restore BERLIN ALEXANDERPLATZ / The Rolling Stones on film / Director Volker Schlöndorff and DoP Tom Fährmann on the DI of ULZHAN / D-20 on THE COMPANY / Postproduction on HERR BELLO / DoP Barry Ackroyd on BATTLE IN SEATTLE / A NEUTRAL CORNER: DI case study / ARRI Film & TV renders McDonald’s viral ad / JPEG2000 and digital cinema / D-20 on PRISONERS OF THE SUN / Act: Russia’s leading equipment rental company / Orange shoots new ad campaign in South Africa / ARRI Film & TV creates arctic landscape for candy ad / D-20 on SILENT WITNESS / Moments in time: ONCE UPON A TIME IN THE WEST / 2 perforation |
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Issue 03 12/2006
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Issue 03 12/2006 Director Tom Tykwer & DoP Frank Griebe on PERFUME / DoP Gavin Finney on HOGFATHER and the D-20 / First 416 productions / First Ultra 16 productions / DoP Daniel Gottschalk on a DI for TRADE / Postproduction on PERFUME / Sony paints the town for commercial / DoP Alwin Kuchler on SUNSHINE / ARRI and digital cinema / Location vehicles in the US / ARRI Film & TV recreate 70s icon / 360° projection from ARRI Film & TV / Moments in time: DARK PASSAGE / CINEMATOGRAPHY STYLE screens at AMPAS |
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Issue 02 06/2006
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Issue 02 06/2006 DoP Salvatore Totino on THE DA VINCI CODE / DI for THE CLOUD / V FOR VENDETTA lights up London / The power of 416 / The art of Ultra 16 / Digital or analogue? / DoP Anil Mehta on KANK / Lighting DARK STREETS / Postproduction on DRESDEN / Latest on the D-20 / Media Film Service in South Africa / The Master Zoom / Formula One at ARRI Film & TV / Moments in time: DAS BOOT / Tibor Sands: a life in focus |
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Issue 01 12/2005
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Issue 01 12/2005 DoP Andrew Lesnie on KING KONG / Worldwide activities of the D-20 / Moving lights at Illumination Dynamics / DI and the new Lustre grading suite at ARRI Film & TV / Master Primes on PERFUME / BLEAK HOUSE: Dickens on HD / Moments in time: ACROSS 110th STREET / ROBBER HOTZENPLOTZ: the creation of a German fairytale / ARRIMAX: the most powerful HMI on the planet / Turkish film production uses ARRI’s ‘one-stop-shop’ / DoP August Jakobsson on the Master Primes |
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