HomeVideosyoutubeDead & Company, DRUMS – SPACE, MILESTONES, Folsom Field, Boulder CO 7-1-23🎈
Dead & Company, DRUMS – SPACE,  MILESTONES, Folsom Field, Boulder CO 7-1-23🎈

Dead & Company, DRUMS – SPACE, MILESTONES, Folsom Field, Boulder CO 7-1-23🎈

Dead & Company, DRUMS – SPACE, MILESTONES, Folsom Field, Boulder CO 7-1-23🎈

Dead & Company, Folsom Field, Boulder CO 7-1-23🎈
0:00 DRUMS
7:00 SPACE
12:15 Milestones
SETLIST – https://www.setlist.fm/setlist/dead-and-company/2023/folsom-field-boulder-co-4ba7938a.html

Dead & Company, Drums, Space, Milestones, Folsom Field, Boulder CO 7-1-23🎈
@LiveForLiveMusic @JamBaseOfficial
#Londonship #Sojahsey1 @Sojahsey1
0:00 Truckin‘,
10:00 Smokestack Lightnin‘ (Howlin Wolf cover)
14:50 Deal
@Deadandcompany @gratefuldead

LYRICS:
https://www.azlyrics.com/lyrics/gratefuldead/truckin.html
SEE ALSO – https://www.azlyrics.com/lyrics/howlinwolf/smokestacklightning.html
https://www.azlyrics.com/lyrics/gratefuldead/deal.html
#londonship @Londonship Thanks to the sound engineers (Meyer Sound) and the light show designers (Coyle Lighting)

Soulful riffs! Rock and roll with a thoughtful vibe.
Sony RX100 mkVII
@JamBaseOfficial @ThinkingSound

Whatever speaker you are listening to this demo with, cannot fully capture and convey the dynamic and full sound of the Meyer Sound Panther public facility array sound system world class quality monitors / speakers. It was said that the drivers are substantial.

Copyright Disclaimer: This video file is an amateur composition, as observed using consumer electronics protected under Title 17 U.S.C. Section 107 of the Copyright Act 1976, where allowance is made for „fair use“ for purposes such as criticism, comparative composition, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The material is made available without profit to those who have expressed a prior interest in receiving this content and is expressly offered for the purposes of criticism, comment, news reporting, research, teaching, including but not limited to such disciplines as the scholarly and educational study of cinematic arts, music, biography, history. All rights are reserved to any third-party copyright owner of the material or portions thereof.

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